Grand Prix" covers the world of horse racing, centered around the romance between a male horse jockey and a female horse jockey. Seo Joo-Hee (Kim Tae-Hee) is an ambitious equestrian who loses her beloved horse in a racing accident and also injures her arm. Devastated she quits the sport and travels to Jeju Island. On Jeju Island, Seo Joo-Hee meets fellow equestrian Woo-Seok (Yang Dong-Kun), a former winner of the Japan Cup who is also experienced a similar slump as Seo Joo-Hee. With Woo-Seok's help, Seo Joo-Hee becomes inspired to compete for the Grand Prix Chamionship.

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We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

Teams make final preparations for the day's race. Plus, interviews, features, and Martin Brundle's popular "grid walk."

《2001太空漫游》后9年，前国家航天委员会主任弗洛伊德博士（罗伊•谢德 Roy Scheider 饰）接受苏美合作计划，带领发现号航天站设计者科脑博士（约翰•利思戈 John Lithgow 饰）和HAL9000电脑的创始人钱德拉博士（鲍勃•巴拉班 Bob Balaban 饰）登录木星附近的苏联航空站，与苏联宇航员卡布珂（海伦•米伦 Helen Mirren 饰）等合作，空中接轨美国发现号航天站，调查九年前的事故原因，探索木卫二的神秘黑石，并查明宇航员大卫•伯曼（凯尔•杜拉 Keir Dullea 饰）缘何神秘失踪。然而任务执行尚未过半，美苏关系愈发紧张，战争一触即发；与此同时，大卫•伯曼竟突然现身对弗洛伊德博士发出神秘警告。 　　本片改编自亚瑟•克拉克的小说《2010太空漫游》，获第59界奥斯卡最佳艺术指导—布景，最佳服装设计，最佳视觉效果，最佳化妆和最佳声效五项提名。

《2001太空漫游》后9年，前国家航天委员会主任弗洛伊德博士接受苏美合作计划，带领发现号航天站设计者科脑博士和HAL9000电脑的创始人钱德拉博士登陆木星附近的苏联航空站，与苏联宇航员卡布珂等合作，空中接轨美国发现号航天站，调查九年前的事故原因，探索木卫二的神秘黑石，并查明宇航员大卫•伯曼缘何神秘失踪。然而任务执行尚未过半，美苏关系愈发紧张，战争一触即发；与此同时，大卫•伯曼竟突然现身对弗洛伊德博士发出神秘警告。

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

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